If you missed it, my piece in Tech Policy Press tackles the relationship the AI industry has with uncertainty: using what they don't know about AI as evidence that they're right, or that it should be feared, or that it can't be properly regulated.
A new paper from Apple proves what I've discussed before – that so-called "reasoning" models aren't doing much reasoning at all – but now that is clear even by the bizarre industry definitions of the term. The researchers created a series of puzzles with similar problem-solving
Interfaces, and design of all kinds, exercise decision-making. Decision making is a form of power. What, then, is generative AI for design?
Remarks from an in-person debate, 'L’IA en question, questions à l’IA', a two-day event at the Centre Pompidou, Paris, on May 24/25. The event focused on debates about the role of AI in contemporary society.
Remarks on AI, Noise, and Creative Misuse for the Artificial Intelligence & Contemporary Creation conference, 24 May 2025 at the Jeu de Paume, Paris.
I'm three events into this tour talking about AI, and there's a question about the environment every time. What's the environmental impact of AI? In London, the question was a bit more pointed: How do I justify using AI as an artist, knowing the
My new piece in Tech Policy Press is up, and it’s about the recent re-emergence of very silly chatter about whether AI “experiences the world” and therefore ought to have something akin to human rights. In the piece, I argue that they don’t need them. Here’s how
Are pro and anti AI camps talking about the same thing when they say “useful”?
A walk-through of the NCM's "Signal to Noise," a recently opened exhibition curated by Eryk Salvaggio, Joel Stern and Emily Siddons in Melbourne, that examines how artists have worked with noisy channels.
Thoughts on noise, for the opening of “Signal to Noise” at the National Communication Museum in Melbourne.
Signal to Noise explores how artists work with, challenge, or complicate the relationship between signals and noise—disruptions, glitches or interference—in communication technologies and the messages they send.
Unsorted Depths visualizes the archive as a cultural formation but also charts the field of memory against the backdrop of noise.